Each band is essentially a new instance of the Shaper module. Also, you can change the band crossover slopes into the following: 6 dB/octave, 12 dB/octave, and 24 dB/octave. Drag them towards the middle to reveal two more frequency bands, totaling three bands: low, mid, and high. Here, you’ll find two arrows at the sides. Load any Shaper in ShaperBox 2, and you’ll find a frequency spectrum at the top right of the user interface. Let’s check out the global ones: Multi-Band However, the Shapers provide some exclusive features as well, which we will get to in the Shapers section below. These remain the same or similar regardless of the Shaper you are using. With so many features available in this plugin, we’ll first go over the global features. Although, note that it will cause pops and clicks when you switch between presets with and without DriveShaper. And you can disable the option called “Always use 16 Samples of Latency” to make the plugin latency-free, except when you use the DriveShaper. Additionally, you’ll find an option to use OpenGL graphics, which I recommend if you have a discrete graphics card. This options menu allows you to create and save new presets, change the startup presets, and change the plugin UI scale. And an options menu and a plugin preset browser are at the very bottom. Likewise, you’ll find a Master Mix slider at the bottom right. Furthermore, you can toggle each of them on and off, reorder them by simple drag-and-drop, and remove the ones you don’t need. And finally, the bottom section holds the performance stuff: LFO presets and MIDI triggering.īelow the three sections I described above, you’ll find all the Shaper modules you have loaded into your ShaperBox 2 plugin. So, you’ll find the LFO and the envelope follower in the middle area.
The top section controls the global controls like the multi-band splitting and master controls, whereas the middle section is where all the action happens. So, it’s ideal for both large, high-resolution desktop screens and below-FHD laptop screens.Ĭableguys have divided the Shaper user interface into three main sections horizontally. Furthermore, ShaperBox 2 allows you to resize the user interface from 75% to 200%. The only difference is the addition of a few controls or different color schemes, neither of which makes the learning part difficult. Similarly, live performance is a breeze thanks to the ShaperBox 2’s MIDI switches.Įach Shaper in ShaperBox 2 features a very similar user interface.
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And if you need some inspiration, each Shaper comes with a variety of LFO presets that start your rhythm or glitchy modulation in full swing.
The movement from the LFO and the envelope follower creates dynamic and often complex variations in your audio that would otherwise require a lot of automation and/or external plugins.įurthermore, you can split the frequency spectrum into bands to change the LFO and envelope follower per band.
Each comes with a free-form LFO and an envelope follower or something similar. These Shapers are individual effects or modules that are dedicated to the following: time, filter, pan, drive, crush, width, noise, and volume. ShaperBox 2 is a host plugin with a collection of eight Shaper processors. The library is for the NoiseShaper, which we will get to later. Installation was a breeze, and the only notable thing was the 170 MB noise library download, which happened in the background after the plugin was open.
That is what ShaperBox 2 is all about.Īfter downloading the review copy kindly provided by Cableguys, I couldn’t wait to get started with ShaperBox 2. However, what if there were plugins that could handle both processing and modulation? Add one plugin, and it handles all of your simple ducking and intricate modulations for the drop. And if your DAW doesn’t have modulators, you switch to MIDI sequencers and modulators. Modern electronic music production is synchronous with complex automation and modulations happening inside plugins as well as on the DAW level. Get your creative juices flowing with this bundle of effects that twist, mangle, and maim your sounds.
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